Now it's time to build up a big cone of clear glass on each side to prepare it to be pulled.
The punty with tape on the end is Boro, which holds up better without shocking through this slow-ish process.
Finally I have a good cone on each end, and a boro punty on each side. The cones will be wasted, better to waste scrap clear than my precious murrine!
Now I slowly and evenly heat the entire mass, the heat must be even throughout to get an even pull, without letting any parts get so hot that the image will distort or move inside.
Starting the pull, out of the flame.
Pulling, pulling, pulling!
And pulling a little more!
Pulling, pulling, pulling!
And pulling a little more!
Several sections have been put in the kiln, here I'm cutting a chip to look at while the rest anneals. Then I'll put that final piece into the kiln too.
The finished pull. The thickest sections can have the cones sawn off and will provide nice big fish.
The finished pull. The thickest sections can have the cones sawn off and will provide nice big fish.
A fish bouquet!
Hmmm, not especially fish-anatomically correct, but a good first effort!
The next step was to cut 5 pieces of equal length and bring them up to 980 degrees in the kiln. I melted a nice platform of clear and then picked them up one by one and built a new bundle, with clear surrounding each one. And then repeated the above process, this time ending up with a cluster of 5 tiny fish. Any anatomy issues disappeared at this scale!
4 comments:
OMG.What an amazing process.Thank you for sharing with your niave followers It's a whole other world.I'm glad your a part of it.
Wow. Very impressive! I want to see the hat, though.
Thanks for sharing these progressive photos, Karen, I found them to be very informative! I've been wondering how make a murrine but not sure I'd have the patience - you go, girl!
Thanks Cynthia! I love having the finished product to work with but the process is...tortuous!!
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